3,212 Royalty-Free Audio Tracks for "Chords On Instruments"

Eb major triad, MIDI file

Diminished seventh chord to dominant cadence (bo-e7-A7-D).

Dominant form chord: Diminished seventh leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Dominant form chord: Half-diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Dominant 9th chord from "Hommage a Rameau" by Claude Debussy.

Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?

The opening eleven note chord from Aaron Copland's Inscape, without orchestration shown.

First page of "The Levee Song," later known as "I've Been Working On The Railroad," as published in Carmina Princetonia: The Princeton Song Book (1898)

Title More cymbal sounds Artist aradlaw Original mp3 data Length:0:53 minutes (838.13 KB) Format:MP3 Mono 44kHz 128Kbps (CBR) User tags Noise, Percussion, vibrating Type Single Subject, Natural, Tone / Tune, Experiment PDSounds record number 700 Comment More cymbal sounds, using a pair of Sabian 16" cymbals.

Klarinettensoloauszug eines Boogie

Chord progression with diminished seventh chords added.

Dominant form chord: Dominant ninth chord preceding tonic chord and possessing a primary dominant function.

Minor eleventh chord in Herbie Hancock's "Maiden Voyage".

Just major seventh chord on C (8:10:12:15).

Just harmonic seventh chord on C. Created by Hyacinth (talk) 18:59, 10 November 2011 with Sibelius 5.

V-I progression, unaltered dominant resolving to the tonic. Created by Hyacinth (talk) 22:29, 9 July 2008 using Sibelius and Audacity.

Chord progression with a borrowed chord second to last: iv or Fm in C major.

Violoncello chord on G

Augmented chord progression: I+75 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Created using Sibelius.

I - ♭VII - ♭VI - ♭VII in C. Created by Hyacinth (talk) 00:31, 14 March 2010 using Sibelius 5.

Minor triad on C

C-F-B Synthetic chord

Leading-tone diminished seventh chord as dominant in Mozart's Don Giovanni, K. 527, Act I, Scene XIII, mm.116-117.

Chord progression with a borrowed chord second: v or Gm in C major.

Power chords in progression create parallel fifths, though the prohibit is not relevant since there is not intention to create independent voices. Created by Hyacinth (talk) 03:21, 29 January 2012 (UTC) using Sibelius 5.

Major triad on F in root position. Created by Hyacinth (talk) using Sibelius 5.

Tritone substitution. F♯7 may substitute for C7, and vice versa, because they both share E♮ and B♭/A♯ and due to voice leading considerations.

Borrowed chord common in rock music: I ♭VI IV. In C: C A♭ F.

Tonic and dominant in C. C major and G major chords.

Altered dominant played twice then resolved to the tonic. Created using Sibelius and Audacity.

Mystic chord on C as the 1, 11, 7, 5, 13, and 9th harmonics (harmonics 8 through 14, without 12). 1 = C = 0 cents = unison 11 = F↑ = 551.32 cents = eleventh harmonic 7 = B♭ = 968.83 cents = harmonic seventh 5 = E = 386.31 cents = just major third 13 = A♭ = 840.53 cents = thirteenth harmonic 9 = D = 203.91 cents = large just whole tone

vuvuzelas

Title rainstick Artist tamanders Original mp3 data Length:0:25 minutes (393.51 KB) Format:MP3 Mono 44kHz 128Kbps (CBR) User tags Instrument, Music, Rain, rainstick, rustling, whispering Type Single Subject PDSounds record number 250 Comment rainstick

Sound of a Rainstick (Percussion instrument)Klang eines Regenmachers bzw. Regenstabes (Perkussionsinstrument)

A 3 against 4 polyrhythm. Derived from Image:3 against 4.mid and translated to OGG by User:Husky.

A 2 against 3 polyrhythm. Derived from and translated to OGG by User:Husky.

Title cymbal sounds Artist aradlaw Original mp3 data Length:0:49 minutes (765.23 KB) Format:MP3 Mono 44kHz 128Kbps (CBR) User tagsMusic, Noise, Percussion Type Single Subject, Natural, Tone / Tune, Experiment PDSounds record number 699 Comment Various cymbal sounds, using a pair of Sabian 16" cymbals. Produced for a LibriVox project.

African double bell

Title Gong or Bell, vibrant Artist stephan Original mp3 data Length:1:04 minutes (1.96 MB) Format:MP3 Stereo 44kHz 256Kbps (CBR) User tags Bell, brazen, deep, drone, Gong, Meditation, striking, twanging, vibrant Type Single Subject, Characteristic, Tone / Tune PDSounds record number 200 Comment Nice droning gong. Played in different ways with my finger.

The chord of B major played on an acoustic guitar. El acorde de B major toca en una guitarra acoustica.

Borrowed chord (viio) in Mozart K. 576, II: Adagio, mm.13-16.

Complexe sonore: the octatonic scale may be arranged as four major chords or seventh chords. Created by Hyacinth (talk) 13:49, 13 June 2010 using Sibelius 5.

Augmented chord progression: V+75 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Secondary supertonic chord: ii7/V - V/V [- V] in C major (a7 - D7 [- G]). Created by Hyacinth (talk) 15:14, 18 July 2010 using Sibelius 5.

Beta scale minor triad on C. MIDI pitch bend appears to match intervals.

Northern Lights chord. Created by Hyacinth (talk) 16:19, 2 October 2010 using Sibelius 5.

Bridge chord, named after en:Frank Bridge. Major chord with a minor chord a semitone above. Chord pictured followed by arpeggio with Db minor at the octave.

Augmented chord progression: V+65 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: V+43 I63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]